DCOT (born in 1997, Bogotá, Colombia) is an interdisciplinary artist trained in film, digital photography, and Fine Arts at ASAB. His work spans video, photography, and graphics, blending analog and digital techniques, digital illustration, and web creation. His video installations explore the connection between enclosed and public spaces. Some of his works are developed collaboratively, fostering simultaneity and teamwork. Inspired by crypto art and digital collecting, DCOT redefines the boundaries of contemporary graphics and interaction with his pieces.

Daniel Camilo Osorio Torres D.C.O.T. artist

DCOT created an ecosystem around its digital artworks, distributing them on the internet and using blockchain technology to store files and text, thus perpetuating these public creations on the web for posterity. You only live once, but you can create millions of times, ensuring that these works endure over time far beyond the physical and tangible life that humans share in this moment.

DCOT's works are distributed in the open internet market through cryptocurrencies on various marketplaces. Additionally, DCOT has created art not linked to its original wallets and has collaborated on other collections owned by different wallet holders. One example is its participation in generative collections through layer superposition and in unique 1/1 pieces. On this website, we aim to establish these connections and perpetuate exploration through the works created by the artist.

To achieve this, DCOT utilizes various tools and blockchain networks to store its works in a decentralized manner, distribute them, and ensure traceability always linked to their origin. In this way, the tracking of DCOT's wallets and collections will always be connected to their original source.

Using digital tools, DCOT creates characters, virtual worlds, landscapes, and impossible figures, such as 2D and 3D abstractions, opening up a vast range of languages and experiments that materialize in works stored on the blockchain and exhibited in galleries or exhibition halls. This generates experiences on multiple planes of perception, evoking various sensations in viewers—intrigue, speed, simultaneity, and contrasts of quality and space. Thus, DCOT connects with thousands of people both in real life (IRL) and in the digital realm, attracting collectors and spectators who have made the artist's work meaningful and relevant over time.